The existential metasar in the introduction to the pre-lslamic poem

Abstract

The research aims to reveal the manifestations of metasard in the existential stance of the pre-Islamic poet and the search for what is behind the talisman in the preface to the pre-Islamic poem، a new attempt to interpret and analyze it and to stand at its types and search for its deep meanings and symbols that presented its paintings in an approved formula and unique written mechanisms that need analytical pauses to point to Its most prominent artistic and aesthetic features are a prelude to unlimited connotations as an artistic style and formulas familiar to and accepted by pre-Islamic tastes، and for this reason poets took it as an outlet for self-expression in its struggle with life to achieve this artistic style a remarkable written formulating mechanism that turns it into a working ground for the most important metanarrative mechanisms and we realize that there is an urgent need For other levels of reading and receiving the s introduction reveals its most prominent technical aspects، such as searching for the most prominent drafting mechanisms that occupied the introductions on their basis and made them metanarrative texts. The researchers used the descriptive analytical method in the study of the metasardic building in the attic introduction as an existential pause. The study reached a set of results، the most important of which are: the talisman premise bears a vision of existence، life and death، and that the metasartorial building is manifested in the invisible reincarnation in the introduction to the poem repeated by most of the pre-Islamic poets، and that the metasardic prelude is a second manifestation and a parallel text to an earlier text، which is the existential talisman. It also recommended a set of recommendations، the most important of which are: a study of the preambles of the pre-Islamic poem، a meta-narrative study، a search for the fantasy of drowsiness and ruffling about its metaphysical connotations.